Bradley 4:18 follows the eponymous archetypical character, who’s awake at 4:18 am. Andrew Ellis’ moody lighting is tinged with blue, setting the work in the darkest hour of the night.
Bradley 4:18 follows the eponymous archetypical character, who’s awake at 4:18 am. Andrew Ellis’ moody lighting is tinged with blue, setting the work in the darkest hour of the night.
Bradley 4:18 follows the eponymous archetypical character, who’s awake at 4:18 am. Andrew Ellis’ moody lighting is tinged with blue, setting the work in the darkest hour of the night.
Bradley 4:18 follows the eponymous archetypical character, who’s awake at 4:18 am. Andrew Ellis’ moody lighting is tinged with blue, setting the work in the darkest hour of the night.
Bradley 4:18 follows the eponymous archetypical character, who’s awake at 4:18 am. Andrew Ellis’ moody lighting is tinged with blue, setting the work in the darkest hour of the night.